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Recorded in a bedroom, a bathroom or a booth that rings? Dryer turns the room down where you hear it most: the tails after every word, note or hit and the gaps between them. One knob, zero latency, and DELTA to hear exactly what it takes away.
Big, generous echoes pulled out of the way under every phrase, blooming back in the gaps, in time with your song. Key the duck from your own track or from any other, a kick or a lead, through the sidechain input. Zero latency, and your dry vocal is never touched.
Insert it on a guitar, keys, bass, synth or vocal and it quacks: on every note you play, rocked on the song's beat, or parked and swept under your hand. It sweeps the same on a quiet take or a loud one, the level stays even with the dry track, and it adds no latency.
Insert it on a drum mic, a guitar or a vocal and the hiss, hum and bleed between the notes go, while every hit and note comes through whole. It opens once and closes once on a fading note, FOCUS keys it on the drum you want, and three types close it hard, gently or by tone.
See your track over a whole bar, every window starting on the host's bar line, with a kick from its side input drawn under your bass and a POLARITY reading that says whether to flip it. Every sample is counted, so no peak is missed, and your audio passes through bit for bit with zero latency.
Warm, mid-forward overdrive from a light edge to a singing lead, with three voicings, a clean blend and a guitar speaker for DI tracks. The output stays at your dry track's loudness at every setting, DRIVE means the same on a quiet take and a hot one, and it adds no latency.
See your mix's balance as one shape, set up the way mixing engineers set theirs, and point at any peak to read its frequency, its note with the cents and its true level. Octaview only reads the audio: your sound passes through bit for bit, with zero latency.
The notes you dig into come down, the ones you barely touch come up, and the line sits steady under the mix. A fast stage catches each note's attack, a slow one levels the rest, and a detector set for your bass keeps a low E, a long sub and a synth bass even, at the same loudness and zero latency.
Harsh S, SH and T sounds are turned down the moment they fire, and the rest of the voice is left as it was. The threshold follows your track's level, so one setting does the same job on a quiet take and a loud one, with zero latency.
Everything under the split stays your clean DI, solid and in tune; only the part above it goes through the amp and a bass cabinet. Three amps, from a warm clean tube amp to a hard metal clank, at the same loudness at every setting and zero latency, so you can record through it.
Plug in a dry guitar and hear a miked amp straight away: four amps, each with its own cabinet, from sparkly clean to tight metal chug and a singing lead, with the boost and a hum-and-hiss threshold built in. The output stays at your dry guitar's loudness, at zero latency.
Insert it and the track ducks on every beat and swells back, locked to your tempo, with no kick to route. The same LFO closes a low-pass filter on the beat and sways the sound across the speakers, and the level is made up from the curve, so DEPTH changes the movement, not the loudness.
Play a beat, a vocal or a whole mix back from a real-sounding cassette: AGE from fresh tape to worn out, WOBBLE from steady to warped, DRIVE for a pushed bounce, and a home deck, a boombox or a pocket recorder to play it on. Hold STOP for a tape stop on the beat. Zero latency, every preset level-matched.
The whole hyperpop vocal preset in one insert: snap the voice hard to the notes, shift it an octave up, squeak the formants, crush it, polish it and double it. One plugin instead of a six-plugin chain, and the same sound at any recording level.
An audio glitch effect for your DAW: turn one knob and vocals, drums or a whole mix stutter, flip backwards, chop, brake and dive in pitch, landing at random but always on the grid, and the same in every render. Zero latency, every preset level-matched.
Echoes in time with your song, each one climbing an octave above the last and melting into a glowing hall: the ambient guitar and ethereal vocal sound, the moment you load it. A fifth or an octave down in one click, SWELL for pads, WASH from dry steps to a cloud. Zero latency, every repeat on the beat.
The 80s gated reverb snare in one insert: a slammed, bright room that explodes on every hit and is cut off dead, with no threshold to set. GATE in milliseconds or locked to your tempo, SLAM for the squash, ROOM, PLATE or NONLIN. Zero latency, every preset level-matched.
Every echo goes back through the dirt, so each repeat comes back grittier than the last, while your dry part stays clean. Four kinds of distortion, a loop that sings into a drone past 100 %, echoes that duck under the vocal, zero latency and every preset level-matched.
Dusty, wobbly echoes that get duller, hissier and crunchier on every repeat, as if each one were bounced to an old cassette or a cheap sampler. Worn cassette, 12-bit sampler and thin AM flavours, WEAR, CRUSH and WOBBLE on every pass, zero latency and every preset level-matched.
Put an 808, a guitar, a drum loop or a vocal through a speaker that was played too loud: fuzzy and broken up, thin in the bass but farting on the low hits, with a buzz on the notes and a rattle on the loud hits. Three speakers, AUTO MAKEUP that keeps it as loud as your dry sound, zero latency.
The sound-system dub siren in one insert: a wail, a hi-lo alarm or a whoop, fired from the FIRE key, host automation or MIDI notes, into a wobbling tape echo and a spring locked to your song's tempo. Your track passes untouched, the siren sits in the mix at any level, and it adds zero latency.
Play a voice, a synth or a whole soundtrack back off an old VHS tape in one insert: the narrow, wobbling, chorused sound, a cheap 80s hall, static, and the tracking slips everyone remembers. SP, LP or EP, tape HEAT, a synced EJECT and a true MIX. Zero latency, every preset level-matched.
Turn any voice into a creature that is clearly not human and still understood, in one insert: shift it up into a small visitor or down into a giant, add the metallic ring, a fast warble and backwards alien babble, and put it in a short bright room. Four alien types, every preset level-matched.
The classic octave shimmer the moment you load it: a long hall whose tail climbs an octave on every pass into a bright halo above your guitar, pad or vocal. A fifth or an octave down in one click, BLOOM to swell every phrase in, FREEZE to hold it forever. Zero latency, every preset level-matched.
Turn a vocal, a synth or a loop into an old games machine in one insert: crunched to a few bits and a low sample rate, with a square-wave chip voice that plays your melody, a crunchy console echo and three eras from handheld to 16-bit. Every preset level-matched, and a LIVE mode for zero-latency tracking.
Turn clean chords, a synth or a vocal into a shoegaze wall in one insert: a dark fuzz, a reverse swell after every chord, a slow tremolo-arm sway and a long hall it all sinks into. Zero latency by default, every preset level-matched.
The dreamy, floating vocal in one insert: a soft halo of detuned copies, an echo on the beat blooming into a long hall, and an octave shimmer in the tail, all stepping back under the words so every line stays clear. Zero latency, every preset level-matched.
Put the classic wobble bass on any bass, synth or loop in one insert: a resonant filter that opens and closes on your song's grid, grit that growls as it opens, and the sub held steady underneath. No synth patching, no LFO routing.
Make the nightcore, sped-up version of any song inside your DAW: drop the song on the plugin, or let it learn the track in one pass, and it plays back faster and higher together, like a record played fast. Keep the chipmunk voice or bring the singer's natural voice back.
Put any track on an old record in one insert: crackle that rides in the groove and follows the music, a worn stylus, the slow wobble of a turning platter, the sound of six decades from 1930 to modern, and a one-press spin-down that lands in time.
Turn a vocal, a synth or a guitar into an enormous, drifting space in one insert: tails from 2 seconds to a minute or forever, an octave-up shimmer, FREEZE for endless pads and a DUCK that keeps the vocal in front. Zero latency.
Turn any vocal into a bullhorn in one insert: pick the horn from a wide PA to a narrow wartime loudspeaker, dial the honk, push it into crunch, and bounce it off the walls until it rings and squeals. Zero latency.
Put a vocal, a drum loop or a whole track inside a real bathroom in one insert: three measured rooms, a DOOR knob for the music at the party heard from inside the bathroom, and TILE from soft towels to ringing porcelain. Zero latency, every preset level-matched.
Turn any vocal into a metallic robot in one insert: stack up to eight voices, tune the robot to your song's key or play it from MIDI, then filter it and put it in a room, a plate or space. No carrier synth, no routing.
A VCA compressor: threshold in volts, ratio to infinity, and a fast, clean grip for kicks, bass and vocals.
An air EQ: a shelf from 2.5 to 40 kHz and five broad bands that open a vocal or a master without harshness.
Most of our paid plugins have a free demo: the whole plugin, with no time limit, that goes silent for a moment every few seconds. Look for the free demo on the plugin's page.
Our plugins run on Windows and macOS, in DAWs that load VST3 or AU plug-ins, and many also come as AAX for Pro Tools. Each plugin's page lists its exact formats and system requirements.
Up to five of your own computers for each copy of a plugin you buy.
Your plugins' download links arrive by email within about five minutes, and they are always in your account under Downloads.
Yes: every plugin comes with a 90-day money-back guarantee. Within 90 days of buying, email contact@lenuque.com for a full refund.
Yes. Every update of a plugin you own is free: download the newest version from your account under Downloads.
